STAGECRAFT OF EXISTENCE: A COMPARATIVE JOURNEY THROUGH TWO CLASSIC DRAMAS

Abstract

In the aftermath of World War II, a global landscape marked by escalating tensions and heightened social contradictions between Britain and America set the stage for a profound transformation in the realm of modern drama. This abstract delves into the sweeping influence of existentialism, pessimism, and nihilism thoughts that permeated the intellectual and creative spheres during this era, leaving an indelible mark on the trajectory of modern drama. The convergence of these philosophical currents served as a catalyst for dramatic innovation, shaping narratives that reflected the complexities and uncertainties of post-war societies. This exploration aims to unravel the intricate interplay between the global socio-political climate and the evolution of modern drama, providing insights into the ideological underpinnings that fueled its development. The pervasive impact of existentialism, pessimism, and nihilism on modern drama cannot be understated. As the world grappled with the aftermath of a devastating war, these philosophical currents found resonance in the collective consciousness, giving rise to narratives that mirrored the existential angst and disillusionment of the era. This abstract highlights the symbiotic relationship between the external geopolitical landscape and the internal landscape of creative expression, wherein dramatic works became a reflective canvas for the existential dilemmas and nihilistic sentiments of the time. In conclusion, this abstract illuminates the ideological shifts that unfolded in the post-World War II period, shaping the trajectory of modern drama. The infusion of existentialist, pessimistic, and nihilistic thoughts into dramatic narratives captures the essence of an era grappling with profound uncertainties and the search for meaning in the face of an ever-evolving global landscape.